Cheers me dears

That's it for 2008.

Thank you to everyone that's read Musick over the first 8(!) months, it's been special.

Here's to a very musickal 2009.

Laters, m

Stocking Filler: New for 2009

Let's look into the future shall we?

Here are Musick's top 5 predictions for big things in 2009. Actually, let's call them the 'top 5 new acts that deserve to be big in 2009' because, let's be honest, it would be pretty easy to predict who will be big in 2009; Alexandra Burke, JLS, Eogchxen Qiuigigig, some choir from some TV show, a reformed S Club 7.

1). thecocknbullkid

Écoute

Regarde:



2). Stricken City

Écoute

Regarde:



3). La Roux

Écoute

Regarde:



4). Brigadier Ambrose

Écoute

Regarde:



5). Little Boots

Écoute

Regarde:



fin.

Stocking Filler: 40 Tracks of 2008

Let's fill some space with a random list (in no particular order) of Musick's favourite tracks of 2008 (by 'tracks' we mean 'singles', but they don't really exist anymore).

In no way am I running out of ideas. No way. Not even close. Lists do not signify a dearth of great ideas. Oh no.

'Nattura' Bjork feat. Thom Yorke
'Closer' Ne-Yo
'Dream On' Robyn & Christian Falk
'Two Doors Down' Mystery Jets
'Run, Run' Those Dancing Days
'Paris Is Burning' Ladyhawke
'LES Artistes' Santogold
'Kids' MGMT
'Ready For The Floor' Hot Chip
'Paper Planes' MIA
'The Loving Kind' Girls Aloud
'Single Ladies (Put A Ring On It)' Beyonce
'Sandcastle Disco' Solange
'The Rip' Portishead
'Another World' Antony & The Johnsons
'House Of Cards' Radiohead
'Quicksand' La Roux
'Kids' GoldieLocks
'I'm Not Gonna Teach Your Boyfriend How To Dance With You' Black Kids
'Womanizer' Britney Spears
'Machine Gun' Portishead
'Love Lockdown' Kanye West
'The Race' Cajun Dance Party
'Tell Me What It's Worth' Lightspeed Champion
'We Almost Had A Baby' Emmy The Great
'The Boy Does Nothing' Alesha Dixon
'Red Sock Pugie' Foals
'Little Bit' Lykke Li
'Oxford Comma' Vampire Weekend
'Green Light' John Legend (feat. Andre 3000) Diplo remix
'I Know Your Girlfriend Hates Me' Annie
'On My Own Again' thecocknbullkid
'No Air' Jordin Sparks & Chris Brown
'Universal Mind Control' Common feat. Pharrell
'Crying Blood' VV Brown
'Superstar' Lupe Fiasco
'Divine' Sebastien Tellier
'Meddle' Little Boots
'Run' Gnarls Barkley
'White Winter Hymnal' Fleet Foxes

Er, that's it.

Superwoman

I've always found Beyoncé strangely fascinating. There's something about that steely-eyed determination, that get-there-at-all-costs smile and those claws that have no doubt grazed the face of some poor Destiny's Child reject. Plus, if you happened to see her on X Factor then you'll know that her performance basically won the whole show for Alexandra Burke, which may or may not be a good thing depending on your views on JLS/Xmas/Jeff Buckley, etc.

One thing Beyoncé has always lacked though is a certain humility, as if she is literally superhuman, some kind of pop superstar robot that was manufactured in China. She needs the Cheryl Cole factor, some kind of tragic event that can be spun into a life-defining moment for her to re-emerge from, Phoenix-like and with Platinum sales. For the time being, however, she's releasing two more singles from her increasingly confusing double-album scenario, I Am...Sasha Fierce.

This is the slow jam. It's called 'Halo' and was apparently written with Leona Lewis in mind but Beyoncé basically stamped her stiletto heal until they gave it to her.



It's like a Tampax advert or something.

Then there's the Sasha Fierce side of Beyoncé, one that's all ghetto and bling and in your face 'n shizzle. This is 'Diva' and it's pretty awful.



'Fierce' indeed.

So, there you have it. Great pop star x one great song + lots of filler + brilliant live performances at award shows/reality TV shows = Beyoncé.

Lift off!

OK, so every other music blog worth it's salt on the internet mentioned this album about three months ago, but here at Musick we like to take our time and make sure the product we're pushing is up to scratch. Of all the albums coming out in the first quarter of 2009, few will generate as much excitement (not to mention music press) as The Spirit Of Apollo by N.A.S.A. (aka producers Sam "Squeak E. Clean" Spiegel and Ze "DJ Zegon" Gonzales), which is out in February.

The album features a roll-call of musical talent so huge and varied that it may in fact be Pitchfork's wet dream in musical form. The combinations of artists is quite something - Karen O and Ol' Dirty Bastard, anyone? One of those people is dead, right? Here's the full list of contributors:

M.I.A
Kanye West
David Byrne
Karen O
Chuck D
Tom Waits
Kool Keith
Santogold
Lykke Li
RZA
Method Man
Ghostface Killah
George Clinton
Lovefoxxx (from CSS)
Nick Zinner (from Yeah Yeah Yeahs)
Spank Rock
G4*
One True Voice*
Sinitta*
JLS*
The short one from MN8*

* still unconfirmed

The reason Musick was holding back can be summed up in two words; Psyence Fiction. Back in 1999 UNKLE released their very own guest-filled opus, with James Laville (one half of UNKLE, along with DJ Shadow) talking it up to be the best thing since Vivaldi. Unfortunately, bar Thom Yorke, all the guests thought the same and the whole thing collapsed under the weight of its own importance.

BUT things are looking good for this project. Here's why...



'Gifted' features Kanye, Lykke Li AND Santogold, which in all fairness is Musick's wet dream right now. The song is - to use the parlance of the young - fuckin' bangin' ya hear?

You can download it for free right here and listen to 'Money' here.

He died to save us all

As you may or may not know by now, it's nearly Jesus' 25,000th birthday and to celebrate lots of mediocre singers are booking studio time to hurt us aurally for sinning this past year. Everyone from The Killers, to Peter Kay, to Terry bloody Wogan are queuing up to massacre some old shit or come up with their own brand of Christmas cheer. Plus, you've got old favourites like that Mariah Carey one or the one by those drunks that's mildly amusing when you too are drunk. A more recent phenomenon has resulted in the 'race for Christmas number 1' now being contested by just one person, and this year it's the turn of Alexandra Burke who came out on top last Saturday via lots of tears and a roof-raising, ear-splitting, sugar-overdose-inducing duet with Beyonce. Her version of that song from Shrek, 'Hallelujah', is a dead cert for number 1 on Sunday, but what else is about for those seeking something less, well, 'polished'?

Sufjan Stevens has released a rather lovely 5-disc boxset of Christmas songs, which features covers of old standards as well as brand new recordings. It's probably only about a tenner these days and that's pretty good value for about 40 songs, even if you will only listen to it for a few days each year (that's more then that copy of Leftism that everyone said was a classic but you've never really got).

Here's a lovely sad song called 'That Was The Worst Christmas Ever!':



And another heartbreakingly lovely one called 'Sister Winter':



Not to be outdone, Bright Eyes has also taken a slice of the yuletide cheer with his Christmas album. Here's a skeletal, nay anorexic, version of 'Have Yourself A Merry Little Christmas':



God, who knew Christmas was so depressing? Here's something to cheer us all up...



Aw, shucks Dad.

Criminal record

OK, confession time...I steal from work. Now, I'm not talking pens, pads or blank CDs (though some of these do find their way into my bag) but albums. People sometimes leave them lying around on desks or hidden away on shelves and miraculously they kind of end up coming home with me. More often then not they're by bands I've not heard of, which makes it all the more exciting. The rubbish ones go in the bin or sometimes I take them back, just to be nice. Sometimes, however, a real gem is discovered and now I have this blog so I get to share this gem with you, dear reader.

The album in question is called Superioryouareinferior and it's by Rae Spoon, a Canadian who, according to his myspace page, was one of the first transgendered country singers. Who dares say Musick is one-dimensional in the acts it features?

Superioryouareinferior mixes elements of folk with some very basic electronica, all battered synths and rudimentary violin. Plus, Spoon's voice is utterly arresting, although it can sometimes sound like one of the more mental X Factor auditionees, you know the ones that sound like sheep bleating. But the album has an undeniable charm and honesty that usually comes from artists making music they think no-one is listening to.

Listen to some of it here

An acoustic version of album highlight, 'Come On Forest Fire, Burn The Disco Down' can be seen and heard here:



It looks like he's mixed his whites with his colours too...