Showing posts with label Villagers. Show all posts
Showing posts with label Villagers. Show all posts

Right, is this some kind of pathological disorder we're dealing with here? Do you want to make us track down each and every one of you (yes, all twenty!) and talk sternly at you for ten minutes? For fucks sake, what's going on? How can a song as instantly catchy and indescribably amazing as 'Better Than Love' by Hurts enter the charts at number 50? How? It defies belief. Sure, Villagers missed out too and the chances of Sleigh Bells denting the charts was up there with Susan Boyle's next covers album featuring a cover of Aphex Twin's 'Windowlicker', but Hurts! Seriously, come on. We should put an end to all this, but we love you and we forgive you.

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Gemini by Wild Nothing




Chillwave or Dream Pop or Summer-sounding Songs With Fey Boys Singing Them is big business right now. Well, when we say 'big business' we mean it sells very little but it generates a lot of press. Wild Nothing, aka Jack Tatum, has been lumped in with the rest of them and for the most part it's a fair comparison, but there's something a bit more '80s indie about him then, say, Toro Y Moi. Gemini is his debut album and it features the stone-cold amazing, 'Summer Holiday', a cover of the Cliff Richard single...KIDDING. It's not as good as that. The rest of the album doesn't quite live up to it, but it's a slow week and we're running out of energy, so just buy it, yeah.

IT'S A REALLY QUIET WEEK, SO MAYBE JUST LISTEN TO AN OLD ALBUM



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'Five Trees (The Horrors Remix)' by Chapel Club




The original version is fine too, but a bit too Editors-esque for our liking. The Horrors remix adds some nice keyboard effects, puts some distortion on the vocals and generally makes it all sound less Editors-esque. We're not sure if this version is available to buy but if not you could either listen here or buy the original and play it simultaneously with something off Primary Colours and you'd get the idea.

We need to have words. Seriously. Move closer, sit down and just fucking listen for once. How could you let Kelis' new album enter at no. 42? For those of you without a degree in maths, that means she missed the Top 40, whilst albums from the likes of Boyzone and Scouting For Girls pranced around in the upper echelons like they owned the place. Disgraceful. Still, LCD Soundsystem managed to gatecrash the top 10, which just goes to show that acres of press and a handful of amazing reviews do have an influence after all.  Jamie Lidell was nowhere to be seen and the Laura Marling single followed her last effort into the lower reaches of the Top 75. A decidedly mixed bag in other words. Here are some more things no-one will buy...

BUY THIS IF YOU LIKE JOOLS HOLLAND

Becoming A Jackal by Villagers


Villagers, aka Conor J. O'Brien, makes the kind of music that's easy to dismiss. Earnest, studied and never knowingly exciting, his appearance on Jools Holland a few months ago had some very serious music critics talking very seriously about how he's the new Radiohead. Debut album Becoming A Jackal doesn't support this theory of course, but it does showcase an emerging young talent and as it creeps out of the speakers it's hard to dislike. O'Brien's influences are obvious - yes, a dash of Radiohead here, a helping of Bright Eyes there, a smattering of Elliott Smith just about everywhere - but he manages to create something interesting with the ingredients (have we laboured the food metaphor enough yet? Can we stir it up some more? Perhaps add a garnish of cliche, or a drizzling of empty compliments?). Anyways, it's better then you expect it to be, which is high praise indeed, is it not?

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Treats by Sleigh Bells


We've already done a big thing about this so we won't repeat ourselves. What we will say is that we accidentally illegally downloaded this thinking that it wasn't out here for ages and then we go and find it on iTunes...SORRY.

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'Better Than Love' by Hurts


We guest edited some kind of spam email thing and in it we had to pick our favourite current track and we picked this. It's like Depeche Mode meets Tears For Fears meets Ultravox and yet somehow it's better than even that makes it sound. The fact that it has two brilliant choruses doesn't hurt(s), nor does the very lesbian video. After all the hype and the plaudits, it's nice to see a band genuinely come good on their early promise. Now, don't fuck it up this time general public, we're relying on you.